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Beer

First post of the year and it is… yep, April. I suppose this is where I should apologize, but going media silent this year was mostly an intentional move, and has proved to be a healthy and peacegiving decision.

Still, I miss this space, and wanted to give anyone who is still inexplicably stoping by a quick update and some reassurance that I was not, for example, imprisoned after an ill fated act of civil disobedience. We are all healthy and doing quite well, if a bit busier than one might hope.

So, with that said, here are a few highlights of my recent writing, reading, and other adventures.

Writing:

Some freelance projects, and Trading our Bombs for Bridges at Deeper Church, which was a short reflection on living as Resurrection people in a cynical world.

Reading:

A few recent stand-outs.

Because I was curious where Rob would go after the-book-that-shall-not-be-named.

Because it has been a fun adventure.

Up next/soon?

And the rest of life:

The Doctor is back!

The weather is finally making a pleasant turn so hopefully I can find an afternoon soon to clean out the garden and get it ready for the new season. I am thinking I will start an asperagus bed this year.

And last but not least, the robust porter I brewed this winter is finally ready. Just opened the first bottle a few days ago, and I am quite pleased with the result.

Grace and Peace,

Mason

I thought it would be fitting to end Beer Week by offering a few beer recommendations. So, here are some of my favorite beers from my favorite Michigan brewers. Cheers!

[Also, check out the video from Founders at the end of the post]

Arcadia: Shipwreck Porter, London Style Porter, B-Craft IPA, Cocoa Loco, Hopmouth, and Cereal Killer.

Bell’s: Kalamazoo Stout, Special Double Cream Stout, The Oracle, Consecrator Dopplebock, and Hopslam.

Dark Horse: Crooked Tree IPA, Boffo Brown Ale, One Oatmeal Stout, Perkulator Coffee Dopplebock, Plead the 5th.

Founders: Kentucky Breakfast Stout, Breakfast Stout, Cerise, Double Trouble, Imperial Stout, and Backwoods Bastard

Jolly Pumpkin: E.S. Bam, Maraciabo Especial, and La Parcela.

New Holland: Dragons Milk, Charkoota Rye, The Poet, Cabin Fever, Rye Mad Hatter, and Ichabod.

Short’s: Huma Lupa Licious, Chocolate Wheat, Strawberry Short’s Cake, and Golden Rule.

Vivant: Farm Hand, Solitude, and Triomphe.

So, after you’ve learned a bit about the history of beer and the process behind the drink, it comes time to ask – with such a rich tradition of brewing, and so many incredible styles to choose from, how did we mostly end up drinking slightly varied versions of the same bland, mass-marketed light lagers?

And, the follow up question – what sparked the revival of passionate interest in craft beers and bigger, bolder sorts of brewing?

Well as it turns out that’s all part of one story, a story that finds its origins in industrialization and prohibition, marketing campaigns and immigration.

Two of the best books on the world of craft beer tell that story well, and offer an almost endless supply of recommendations, information, and fascinating anecdotes along the way.

The first book on craft beer I read was The Naked Pint: An Unadulterated Guide to Craft Beer, by Hallie Beaune and Christina Perozzi, and it remains a favorite.

Also of note, Brewed Awakening: Behind the Beers and Brewers Leading the World’s Craft Brewing Revolution by Joshua Bernstein. I picked this one up at Barnes and Noble before a long flight, and had finished it by the time my plane touched the ground, it’s that good.

Happy reading!

I’ve decided to take this week to focus on the “Pints” part of my title, and thereby christen this “Beer Week” here on the blog!

A couple week’s ago, as part of this post for Deeper Story, I shared a bit of the story of beer. Beer has been part of human life from the dawn of civilization to the present day, and its history makes for a fascinating narrative, although one that is not as well known as the popularity of the drink might imply.

I came across that history as I began to take interest in beer (particularly craft beer) a few years ago. Like anything else I find interesting, my first instinct was to find a book on the matter. So I read about the history of beer, its various styles, and the role it has played in culture.

From that reading I’d like to kick off the week by pointing you towards two books that I found especially helpful.

First, Tasting Beer: An Insider’s Guide to the World’s Greatest Drink by Randy Mosher. Randy is one of the world’s leading experts on beer, and in this excellent guide he shares everything from the history of beer, to sensory terminology, to glassware and an in-depth look at various styles.

Also, I’ve been quite impressed with The Oxford Companion to Beer. This one is more of a reference work than a cover-to-cover read, but the contributors are top rate and the articles do a brilliant job of exploring the wide world of beer and brewing.

Yesterday I came across this excellent little film featuring documentarian Ken Burns. In it he discusses narrative, truth, and how all storytelling involves manipulation (and why that’s a good thing).

Speaking of Ken Burns, if you’ve not yet watched his documentary Prohibition, I would highly recommend it. It was without a doubt one of the most fascinating things I watched in 2011. Below is an extended preview.

I wrote about the intersection of beer and faith today for Deeper Story. Below is an excerpt, and you can read the rest here.

“Beer can be abused, but it can also be a cherished blessing. I cherish beer because beer connects us to the harvest and the land, to each other in all our little communities, and to our history as a people and a Church.

As the monks of old knew well, the very process of brewing can easily become a sort of liturgy, an act of worship. When I brew it is a time of celebration and prayer, it allows me to relax and think while I engage in the little repetitions of bottling, or wonder at the miracle of yeast’s interaction with boiled grain. And later, as I raise a glass of the finished product with friends or family, I realize how such a simple thing as a conversation over a pint can be one of life’s greatest blessings.”

Peter Rollins’ writing is like a sour beer.

Sour beers are daring, provocative, and shake up all your preconceptions of what a beer can be. They are also not the sort of beer you are going to want to recommend to a novice, or to drink on a regular basis.

That would be, more or less, how I felt while reading Rollins latest book, Insurrection.

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In the pages of Insurrection, Rollins challenges us to ask what truly motivates our faith, and then deconstructs our idolatrous images of the divine.

Using continental philosophy, postmodern critique, and a fair bit of existentialism, Rollins makes a provocative suggestion – many of us who claim to have faith are in fact using God as a means to an end. Faced with our own mortality and unfulfilled desires, we create for ourselves a deus ex machina, a divine being who steps in to ensure our life has comfort, meaning, and hope.

It matters little if we actively believe in this god, because others (our church, the pastor) believe on our behalf, and by entering into the play-acting each week we are able to attain all the same advantages whether we truly believe or not.

But instead of running from the pain and despair of life, Rollins insists that the Cross and Resurrection lead us to embrace them and in doing so rob them of their power.

He argues that while religion is the giving up of all for God, at the Cross we give up even God himself, joining Christ in his cry of forsakenness, and in the process experience the presence of God in his very absence. Resurrection then becomes a fresh start where we see God not as the one who calls us to love, but as the one present in the very act of love itself.

As the book continues Rollins leverages these ideas in a number of ways, but his central point seems to be this – we affirm our beliefs not through our words but through our deeds, and the role of theology is to be a pyrotheology which is always burning down the structures of our faith and in the process finding truth.

In his words “The truth arises in the very conflict itself, the conflict that drives us onward.

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Truth be told, I quite enjoyed Insurrection. Rollins is a talented writer, with a knack for telling stories, and it did indeed set fire to some old assumptions while encouraging me to examine the motives of my faith.

But like I said, it was also a bit like drinking a sour beer. There’s a place for it, and it can even be a needed change, but it’s not what I’d build a foundation on.

In fact a foundation is exactly what Insurrection does not provide. It is an incendiary work, an act of theological arson, and while that may be necessary at times I find myself  growing tired of constant deconstruction that leads to…more deconstruction.

We can burn down the wreckage of the old structure, but are no better off until we build something new in it’s place.

Also, I’m not as sold on existentialism as Rollins seems to be. It has it’s place, but when used as the lens through which we view our faith, it seems liable to lead us in all sorts of unhelpful directions.

So, would I recommend Insurrection? Yes, it’s a thought provoking book and a worthwhile dialogue partner. Just don’t make it your session beer.

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